What better way to celebrate using a new studio than recording a classic, acoustic, folk song? The ZolderStudio (LoftStudio) has moved! So I did some test recordings and one of them is Dylan’s “Knocking on Heaven’s Door”. And I did not only record the song, I made a video of the recording session.
It’s just a simple “one-take recording” using my MXL770 for vocals, a t.Bone EM700 for the guitar and I’ve used the Behringer UMC404HD as an interface. The DAW I’ve used was Ardour (Linux).
MOVING TO A NEW STUDIO
I’ve also made a short video about the move to the new studio. A full studio tour will be made as soon as the studio is setup completely. I’m still waiting for acoustic foam, ordered a floor carpet and there are now new monitor speakers too. So subscribe to the channel to receive updates!
We’re moving! Moving to a new house and this also means: a new studio! To mark this big change here’s the last production ever made in the old “Loft Studio” – our brand new EP “Morning Ritual”. The album includes four blues, country and rock inspired original songs.
The album is available exclusively as a download, for now, trough BandCamp.
TRACKS
All songs are recorded at the LoftStudio. The song “Summertime” has been mixed and produced by Jay H., writer of the VocalKing plugin (click here to check his website).
01 – Wine
A song telling the story of a lady, addicted to Wine.. up-beat, guitar driven, track!
02 – Morning Ritual
The Title Track. Well, .. a song about drinking coffee and the End of the World. But it seems as long there’s coffee, we do not need to worry about the End of the World, right?
03 – Stone Hearted Mandy
Previously recorded and released on the Barking Aunts’ album “Yesterday’s Coffee“. This was a concept album, a story in a handful of songs, about family life and how it got torn apart. We thought this track could be improved so we re-recorded it.
04 – Summertime
We can’t wait for Summer to begin.. mixed and produced by Jay H. using his Vocal King plugin and giving it a good creative treatment. It brought the song to a level we would have never expected.
CREDITS
Special thanks to my friends who helped me out on this one!
James Zheutlin (a.k.a. Acid Cowboys) – Text contributions;
So what’s next when you have a new guitar (Harley Benton TE-52), a new vocal condenser mic (MXL770) and installed a new DAW (Mixbus5)? Record a brand new song! So here’s “Morning Ritual” – a song about how we try to survive in this world of ours these days.
The song is available as a free download at SoundCloud and there’s a video!
I must say we’re very happy with the new gear as well as the new DAW! Even though there are some hardware issues to overcome it is clearly the best DAW I’ve ever layed hands on.
Recorded at the ZolderStudio
Drums & Bass – Digitech Trio
Guitars, Vocals, recording & mixing – Rudy
Well here’s your coffee dear,
it’s in a paper cup,
I know you do adhere
to the morning ritual..
without you can’t get up,
so here’s your coffee dear
here’s your coffee dear
Well here’s your paper dear,
it says the end is near,
you might not want to read,
or hear the news today
don’t worry anyhow
here’s your coffee dear,
here’s your coffee dear
Chorus:
You can Leave Your Make-up on the shelf,
‘cus time, time suits you well,
and here’s your coffee dear
Here’s Your Coffee Dear,
though the End is Near,
You know we can’t give up
on our morning ritual,
yeah though our life is short,
at least there’s coffee dear,
so here’s your coffee dear.
A professional DAW for home recording doesn’t have to cost an arm and leg. First of all, there are many free solutions or nearly-free solutions. Like Ardour. It’s free (open source) software, if you’re using an older version that is. Like Ardour 4.x.
Last week Harrison Mixbus was offering Mixbus5 for a deep discount and I just couldn’t resists. Still use Ardour for older projects but Mixbus is just an awesome product!
Harrison Mixbus is a digital audio workstation (DAW) available for Microsoft Windows, Mac OS X and Linux operating systems. Mixbus provides a modern DAW model incorporating a “traditional” analog mixing workflow. It includes built in analog modeled processing, based on Harrison’s 32-series and MR-series analog music consoles. Mixbus is based on Ardour, the open source DAW, but is sold and marketed commercially by Harrison Audio Consoles (Wikipedia).
Installation took some time, you really do need to do this “step by step” following the (online) manual and I had some “problems” importing old projects from Ardour sessions (I thought it was compatible, but it isn’t 100% compatible with my Ardour 4.x version). But after about 30 minutes I was already doing my first (test)recording.
Mixbus5 looks a lot like Ardour (no surprise here!) but it’s more advanced. It’s also more demanding (CPU. Memory, Disk). Despite that, I got it workin smoothly on “light” ITX-computer using an Intel® Quad-Core Processor (J1900, 2 GHz) with 8GB RAM. On this machine I’m running Linux Mint as the OS.
FEATURES
Mixbus comes with a ton of features, plugins and the special offer included some additional plugins!
NEW STUDIO
We will be moving soon to another house and there I will be having a bigger (lof)studio. Apart from a bigger room, I most certainly will need bigger monitor screens for this.. in fact, I will need/want two screens 🙂 This is just too much vor only one (small) screen.
NOTE!
I installed Mixbus5 on my desktop computer first for testing but it didn’t run smoothly on my SATA HDD. The disk simply can’t keep up. Mind you, it’s a fast Seagate disk, but SATA just can’t handle it too well.
My dedicated “DAW-computer” (the ITX) has an SSD disk and it runs smoothly. I did have time-outs sometimes, so I’ve installed a little utillity on my Linux ITX computer to prevent it from going in to “sleep” mode and have more performance (full cpu-usage). This fixed the time-outs.
I was planning to have some fun with it this weekend and perhaps create a short video about it but.. i fell ill and on top of that the power supply one of the hosting-servers died on me.. So had to go the the data center and fix that. I will post an update later!
The Harley Benton TE-52 NA Vintage Series Telecaster is a Fender Telecaster “look-a-like” Telecaster guitar and not only a lookalike but also a ‘sound-a-like’. It comes with all the sparse features the original Telecasters had: 3-way switch, tone and volume, 2 single coil pickups (Roswell TEA alnico-5 TE-style). A solid wood (Ash) body. C-profile neck, decent tuners, 21 frets and deluxe chrome hardware.
The guitar comes with with d’Addario .009-.042 strings according to the Thomann website. I do have some doubts about this. I’ll get back to that later on.
Anyway, how’s that for a guitar that will only set you back EUR 139.00??
What can you expect, build and sound wise?
BIRTHDAY PRESENT
As I wrote in the post about the MXL770 mic, I turned 50 the other day and my wife gave me a few very nice presents! Apart from the MXL770 she also gave me (amongst other non-music related gifts) this Harley Benton Telecaster. It had been on my wish-list for some time. But I already have a very decent collection of guitars so I didn’t dare to buy another one 😉 She knew, however, that I wanted a Telecaster. So, .. I got it as a birthday present! This now more-or-less completes my wish-lists as far as guitars is concerned!
Worship-Guitar
I started to play in a worship band (in Church) last year and I’m using my electro-acoustic Samick guitar for that. However, on stage I noticed I was having feedback issues sometimes – so I have to turn it down too much. I want to use this telecaster instead. An electro-acoustic is, in the setting I’m playing in (Drums, electric bass, electric piano, vocal-group) just not a good choice. Hope the other band members agree.
d’Addario Strings?
I’m having a hard time believing these strings are really d’Addario. Or perhaps a certain type that just don’t feel comfortable to me. On my Gretsch I have a set of d’Addario Nickel Wound (.010-.046’s). They have a different ‘feel’. The ones one this guitar don’t feel slick, they really hurt your fingers when bending or sliding in to a note. So they will be replaced one day soon. I will probably opt for the d’Addario Super Light Plus (.095-.044) because Telecasters aren’t build to have super heavy strings on it but I’m not completely satisfied with these. Anyway – that’s the only “con” as far as I’m concerned. Other than that, it’s a superb guitar for the money!
The MXL770 Studio Condenser is a very budget friendly yet high quality studio condenser microphone made by Marshall. It is a perfect microphone for those recording at home – it’s suitable for recording acoustic instruments like an acoustic guitar, as well as electric instruments and vocals.
So – I turned 50 the other day and my wife gave me a few very nice presents! One of them is this MXL770 studio condenser microphone. My favorite studio condenser, a McCrypt condenser microphone, is having issues after having been in use for over 20 years. So – time to replace it. This is a great replacement. In fact, I think it’s a very good upgrade. While the McCrypt was most certainly a great mic, this one is even better.
In the video there’s a test recording using my acoustic Washburn guitar and some vocal. Both are ‘dry sound’, no processing done. In the end of the video there’s a mixdown of the track I recorded.
The microphone was ordered online at Thomann (Germany).
Is it possible to get free mastering? Even better: free professional, radio ready, mastering? Yes it is! Yesterday I recorded a hymn (“I Surrender All”) and even though the mix was fine, I wanted it to sound “radio-ready”. So, I went online to search for a quick fix. I do my own “mastering” most of the time using Audacity but it didn’t sound good enough.
Google is your firend, right? So, I ended up on BandLab’s website. They have been offering free online mastering for some time now (I never knew,.. and perhaps you didn’t either – that’s why I’m posting this!).
What to expect from a free mastering service? Well, .. to my surprise it does a great job! When you upload a track you have a few options: CD quailty, bass heavy (for radio: don’t!) and clear sound.
I uploaded a few tracks and was amazed to hear the difference!
BandLab’s new online mastering service is the first such tool with free unlimited use and is compatible with all major music formats. The new feature is also integrated across the entire existing BandLab creative workflow so that creators can share final mastered tracks across the BandLab social music platform or download their finished works as high-quality versions for distribution to other services. (MusicConnection)
Here’s a sample of the mastering at BandLab, the song “Summertime”
The mastering gives it a lot more ‘punch’ and depth. Of course the mix was very good also, thanks to Jay H.
Anyway — There’s no excuse not to use BandLab – it’s free, it delivers you a good mastered track. Head over to BandLab to get your songs mastered!
What happens if you let someone who’s got great mixing skills as well is the writer of a good vocal plugin mix your track “just for the fun of it”? Recently we were recording a new song and our friend Jay H. from JHudStudio created an alternative mix. We liked it so much that we have decided to publish this mix instead of our own!
Jay H. is the author of the Vocal King plugin, and some other (free) plugins for Windows DAW’s. He put some good time and effort in our song and (re)mixed and produced it based on the original, unedited, stem-exports from our Ardour DAW. This resulted in an original, creative, mix of our song and we were so very pleased with it!
The song is now available as a free download at SoundCloud. We hope you like it. Feel free to share!
The mood of the song, as well as the style, is probably a “60’s” or “70’s” feel, in the vain of Bob Dylan, The Byrds and so on. Drums were created using Ditigtech TRIO, Bass, guitars and vocals by Rudy. Recorded using Ardour (Linux). Mixed & produced by Jay H. from JayHudStudio.
Are you looking for original Blues, Country and some raw Rock and Roll? Can’t afford much or perhaps even nothing for music? Pay whatever you can (“name your price”). Or download the album for free if you’re willing to allow us to add your email to our contact list at BandCamp. And we promise, we won’t start spamming you!
This is Solid Rock Blues Band’s 3rd album and we think it’s one of the best albums we’ve ever recorded! We want the word to get out and want it to be heard. So, we’re offering it for a “whatever you can afford” price.
It took us over a year, but here it is and it’s all yours for free. Although we’d love to cash in big on this album we believe in sharing the joy of music. And if you can, yes we’d be very grateful if you’d be willing to pay some for all our hard work and effort that went into the recording and production of this album.
Also available on ReverbNation (paid download) and free streaming at SoundCloud and Audiomack. However, on BandCamp ONLY there are 3 additional (hidden) bonus tracks available!
All songs recorded, mixed and mastered at the ZolderStudio (Loft Studio). The ZolderStudio is our home recording project studio where the albums of the Solid Rock Blues Band are recorded as well as other bands/artists.
As of today, the full back catalog of the former “Barking Aunts Project” and the “Solid Rock Blues Band” are now available for FREE at the BandCamp website.
Except for our most recent Single, No Limit (On Love) all albums, EP’s and other materials are now available as a “whatever you can afford” FREE download.
The only thing we ask in return is your email address, so we can send you updates about the projects and albums. Don’t want to receive email updates? Donate a small fee and we won’t bother you!
WHY DID WE DO THIS?!
You might wonder why we are now offering all music as free downloads. The reason for this is simple: over the years we’ve spend a lot of time and effort in recording music. Publishing it. On Spotify, for example, this resulted in well over 33,000 plays/streams. We got paid US$ 1.35 for those 33,000 streams. That’s what we consider a total and complete insult. So, since they’re giving it away – why don’t we? And get something in return: a way to get in touch with the people listening to our songs.
We will continue to make singles, albums and EP’s and make them available on commercial platforms (since they will put them on Spotify, iTunes and so on). But on our BandCamp page you can get them for free. Except for the most recent publication. So, the back catalog, as of now, will be free. Forever. As soon as we publish something new, it will be for sale and the previous single, album or EP will be set to “free download” and so on.
TRACKS
