Acoustic version of Folsom Prison Blues Recorded live at the LoftStudio Home Recording Studio. Just a simple quick take, hope you like it!
I learned to love this song on a young age, since my father was a big fan of Johnny Cash (and lot’s of other country music). I’m not a big fan of modern country but like to listen and play songs by Johnny Cash and other “outlaw country” artists even though Blues and Rock are my favorite music styles.
– guitar: Samick Greg Bennett
– mic: MXL770
– Interface: Behringer UMC404HD
– Ardour (Linux DAW)
– camera: Medion Life
The ZolderStudio (LoftStudio) has moved! As you might have noticed we were moving to a new location because we’ve bought a new house. Well, that is.. to us it’s new. But it was build around 1880. So it’s got a long history already. Anyway — we’ve started moving into the new house and rebuilding the studio.
After putting in the stuff we already had we’ve added a carpet, some new cables, additional acoustic treatment like DIY Acoustic Panels (see this video about the making and installation of the panels) and finally, yesterday, put in the foam acoustic panels on the walls.
The acoustic panels, btw, were very cheap to create. We paid less than 20 euro’s for them (hint: pre-made painters canvas). The acoustic foam was ordered online from Geek.
DIY Budget Home Recording Studio
In essence, my home recording setup is a computer with a (Linux) DAW (Ardour, Mixbus5).
Recording at home shouldn’t have to be very expensive. Hook up a mic, trough an audio interface or use an USB condenser mic, and you’re ready to go. But once you get started with recording, there’s no turning back. So I bought a lot of addtional stuff over the years. Lot’s was also given to me as a gift, like the SoundTech ST162 16-channel mixer.
This really still is a budget home studio. Even though some people who visit me think it has cost a fortune to collect all this gear and to create it. There’s a lot of “DIY” stuff in the studio and, as written above, lot’s of stuff comes from very cheap, online, shops and stores in the Netherlands like the Action (there are many of them now all over Europe).
PICTURES & VIDEO
YouTube video (open in new window)
So, we’re “ready to rock” again!
The Harley Benton TE-52 NA Vintage Series Telecaster is a Fender Telecaster “look-a-like” Telecaster guitar and not only a lookalike but also a ‘sound-a-like’. It comes with all the sparse features the original Telecasters had: 3-way switch, tone and volume, 2 single coil pickups (Roswell TEA alnico-5 TE-style). A solid wood (Ash) body. C-profile neck, decent tuners, 21 frets and deluxe chrome hardware.
The guitar comes with with d’Addario .009-.042 strings according to the Thomann website. I do have some doubts about this. I’ll get back to that later on.
Anyway, how’s that for a guitar that will only set you back EUR 139.00??
What can you expect, build and sound wise?
As I wrote in the post about the MXL770 mic, I turned 50 the other day and my wife gave me a few very nice presents! Apart from the MXL770 she also gave me (amongst other non-music related gifts) this Harley Benton Telecaster. It had been on my wish-list for some time. But I already have a very decent collection of guitars so I didn’t dare to buy another one 😉 She knew, however, that I wanted a Telecaster. So, .. I got it as a birthday present! This now more-or-less completes my wish-lists as far as guitars is concerned!
I started to play in a worship band (in Church) last year and I’m using my electro-acoustic Samick guitar for that. However, on stage I noticed I was having feedback issues sometimes – so I have to turn it down too much. I want to use this telecaster instead. An electro-acoustic is, in the setting I’m playing in (Drums, electric bass, electric piano, vocal-group) just not a good choice. Hope the other band members agree.
I’m having a hard time believing these strings are really d’Addario. Or perhaps a certain type that just don’t feel comfortable to me. On my Gretsch I have a set of d’Addario Nickel Wound (.010-.046’s). They have a different ‘feel’. The ones one this guitar don’t feel slick, they really hurt your fingers when bending or sliding in to a note. So they will be replaced one day soon. I will probably opt for the d’Addario Super Light Plus (.095-.044) because Telecasters aren’t build to have super heavy strings on it but I’m not completely satisfied with these. Anyway – that’s the only “con” as far as I’m concerned. Other than that, it’s a superb guitar for the money!
The MXL770 Studio Condenser is a very budget friendly yet high quality studio condenser microphone made by Marshall. It is a perfect microphone for those recording at home – it’s suitable for recording acoustic instruments like an acoustic guitar, as well as electric instruments and vocals.
So – I turned 50 the other day and my wife gave me a few very nice presents! One of them is this MXL770 studio condenser microphone. My favorite studio condenser, a McCrypt condenser microphone, is having issues after having been in use for over 20 years. So – time to replace it. This is a great replacement. In fact, I think it’s a very good upgrade. While the McCrypt was most certainly a great mic, this one is even better.
In the video there’s a test recording using my acoustic Washburn guitar and some vocal. Both are ‘dry sound’, no processing done. In the end of the video there’s a mixdown of the track I recorded.
The microphone was ordered online at Thomann (Germany).
Is it possible to get free mastering? Even better: free professional, radio ready, mastering? Yes it is! Yesterday I recorded a hymn (“I Surrender All”) and even though the mix was fine, I wanted it to sound “radio-ready”. So, I went online to search for a quick fix. I do my own “mastering” most of the time using Audacity but it didn’t sound good enough.
Google is your firend, right? So, I ended up on BandLab’s website. They have been offering free online mastering for some time now (I never knew,.. and perhaps you didn’t either – that’s why I’m posting this!).
What to expect from a free mastering service? Well, .. to my surprise it does a great job! When you upload a track you have a few options: CD quailty, bass heavy (for radio: don’t!) and clear sound.
I uploaded a few tracks and was amazed to hear the difference!
BandLab’s new online mastering service is the first such tool with free unlimited use and is compatible with all major music formats. The new feature is also integrated across the entire existing BandLab creative workflow so that creators can share final mastered tracks across the BandLab social music platform or download their finished works as high-quality versions for distribution to other services. (MusicConnection)
Here’s a sample of the mastering at BandLab, the song “Summertime”
The mastering gives it a lot more ‘punch’ and depth. Of course the mix was very good also, thanks to Jay H.
Anyway — There’s no excuse not to use BandLab – it’s free, it delivers you a good mastered track. Head over to BandLab to get your songs mastered!
More of our songs at BandLab can be found at this link:
Are you looking for original Blues, Country and some raw Rock and Roll? Can’t afford much or perhaps even nothing for music? Pay whatever you can (“name your price”). Or download the album for free if you’re willing to allow us to add your email to our contact list at BandCamp. And we promise, we won’t start spamming you!
This is Solid Rock Blues Band’s 3rd album and we think it’s one of the best albums we’ve ever recorded! We want the word to get out and want it to be heard. So, we’re offering it for a “whatever you can afford” price.
It took us over a year, but here it is and it’s all yours for free. Although we’d love to cash in big on this album we believe in sharing the joy of music. And if you can, yes we’d be very grateful if you’d be willing to pay some for all our hard work and effort that went into the recording and production of this album.
Also available on ReverbNation (paid download) and free streaming at SoundCloud and Audiomack. However, on BandCamp ONLY there are 3 additional (hidden) bonus tracks available!
BANDCAMP [FREE DOWNLOAD]
Includes three, exclusive, bonus tracks!
At Reverbnation, you will get 6 tracks for US$ 5.00
ZOLDERSTUDIO (LOFT STUDIO)
All songs recorded, mixed and mastered at the ZolderStudio (Loft Studio). The ZolderStudio is our home recording project studio where the albums of the Solid Rock Blues Band are recorded as well as other bands/artists.
No Limit (On Love) is the new single by the Solid Rock Blues Band home recording project. A lovesong, but not the standard lovesong. Fast and up-tempo power chords blues-rock.
There ain’t No Limit On Love. You can’t get no speeding ticket for loving someone so much it’s almost illegal, right? All right! So here’s our new track “No Limit (On Love)”. You can listen for free on SoundCloud, AudioMack and BandCamp.
The song was written and recorded in high speed, just as the song itself is in high speed. It took only two days to write the lyrics and music and record and mix it(!) that doesn’t make it a substandard songs. Some awesome songs were written in studio’s “on the spot”. Remember the story about U2’s album “October”? The lyrics (for some songs) were lost (stolen), so Bono had to write some lyrics while they were in the studio!
It’s a fast song, power-chords based and recorded at the Zolderstudio Homerecording Studio. It probably would fit the Bluesrock bag or Rock and Roll. Anyway – it’s about the favorite theme of most people: Love. And this is a love-song that isn’t about Red Roses and fast heartbeats.
Like it? You can download a HQ Audio version from BandCamp for only US$ 0.70.
“Day By Day” contains six strong, classic, spiritual songs (hymns) in a more modern setting: instead of organs and choirs, you will hear a band using Drums, Bass, Guitars and Harp. The title track, Day By Day, was written in 1865. Most of the tracks, except for one original song, date back at least 100 years and have been popular for many decades in congregations all over the world.
Over the years I’ve recorded several gospel songs (traditionals). Of course, not as you might know them from Church. Some are a little more up-tempo. Instrumentation has been modernized. Drums, Bass, Guitar, Harp. All recorded at the “ZolderStudio” home recording studio.
At this moment the EP (only available, for now, on BandCamp, AudioMack and Soundcloud) contains six tracks, including one original song. All tracks can be downloaded for free. The album might include more tracks later on but for now, this is the “as is”, first, free, pre-release version.
Tracks inlcuded are traditional hymns like “Day By Day”, “What A Friend We Have in Jesus” and “Just A Closer Walk With Thee”. All songs dating back, originally, well over a hundred years yet with lyrics that still are powerful, comforting and with deep spiritual meaning.
We’re planning to add some more tracks later on and after that make it available as a “commercial” realease at CDBaby and BandCamp. We hope you enjoy this free (EP) Album. Feel free to share!
A new, original, song has been released on AudioMack. And there’s more to come in the near future as we’re working on yet another new album.
An acoustic demo of the song was released earlier on Youtube (click for the video). Below you’ll find the finished studio version.
Vocals, guitars, recording & mixing by Rudy, Soldi Rock Blues Band.
Drums & Bass: Digitech TRIO Band Creator.
Recorded using Ardour/KXStudio (Linux Audio).
Today the new album of the Solid Rock Blues Band, a solo project by Rudy, was released. The album is available trough many on line streaming services and as a download on many websites.
The album includes original songs and some covers. Most of the songs are blues or country inspired. Covers included songs by Larry Norman, Rex Griffin, Bobby Braddock & Curly Putman and Bob Dylan. Also included is the well known song “House of the Rising Sun”, a traditional song made famous by The Animals (and many others).
BandCamp (includes extra bonus track!)
All instruments and vocals on the album are by Rudy. The album was recorded at the Loft Studio (Zolderstudio). It features a Gretsch Electromatic guitar on many tracks, as well as a vintage Hondo guitar. All recordings were recorded and mixed using Ardour running on a Linux based system (KXStudio).